Exhibition explores how Catholicism shaped and moulded Western image culture
(Artdaily.org)

Faith Love Hope—the exhibition strives to highlight a society characterised by a majority of relatively wealthy people and a growing decline in social solidarity. It is no coincidence that the title Faith Love Hope creates a reference to Ödön von Horváth’s drama with a similar title from 1932, in which he describes a time and a society where faith, love and hope seem to dwindle and compassion is lost. Furthermore, it refers to Ulrich Seidl’s film trilogy—which depict a cold, consumerist society and characters who are driven by oppressed desires. Today, the “three divine virtues,” once considered as cornerstones of the Christian culture of piety and part of the cultural memory in the form of allegories and symbols, can be found amongst the most popular motives for tattoos. This phenomenon can be viewed as a contemporary example of the transfer, the acquisition