Review: In Cameron Rowland`s `D37` at MOCA, the legacy of slavery takes frightfully familiar forms
(LA Times Tennis)

With the art market a dominant behemoth tromping around in our ongoing cultural life, Cameron Rowland´s visually chilly, deceptively simple installation, `D37,` assumes an expanded resonance. The work is also about buying and selling, but the merchandise here is not traditional canvas, paint or...