Another Advantage Of The Conductorless-Chamber-Orchestra Model: No Lecherous Maestros
(ArtsJournal Theatre)

`In his classic book, The Maestro Myth, Great Conductors in Pursuit of Power, first published in 1991, Norman Lebrecht described how `sexual rapacity` added to the mystique of many conductors. ... As though the touchy-feely nature of the performing arts, with that odd sense of a creative imperative for artists, is actually an entitlement, especially […]