Centred around questions of authenticity and the representation of collective histories, Past Perfect (2008 - 2016), is a new series of photographs by British photographer Jason Larkin, highlighting the visual presentation of war and conflict within public museums around the world. With their vast access to knowledge, today’s museums have become our modern-day cathedrals, not only concerned with historic moments, but also with ideas; notions of what the world is, and how it should be framed. Larkin views the war museum as playing an important, and often unquestioned role in constructing ideologies and interpreting cultural identities. In the essay Travels in Hyperreality, philosopher, historian and aesthetician Umberto Eco argued that the museum diorama is potentially “more vivid, more effective” than the original artefact, achieving an “illusion of absolute reality”.1 Larkin’s photographs of dioramas, reduced-scale reproductions, and audio-visual displa
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